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Wednesday, May 21, 2025

Κώστας Παπαποστολόπουλος: Κόκκινα Πρίσματα (Μυθιστόρημα Μάϊος 2025)

               
        


Ο Κώστας Παπαποστολόπουλος διαχειριστής (BLOGGER) των URBAN ASPIRINES σας παρουσιάζει το βιβλίο του με τίτλο "ΚΟΚΚΙΝΑ ΠRΙΣΜΑΤΑ" από τις εκδόσεις 24γράμματα.
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Copyright © 2025 24γράμματα

Μια ιστορία Αγάπης, Ζωής και Θανάτου!
Ένα μεγάλο ευχαριστώ στη φίλη μου ΒΑΣΩ ΚΑΥΚΟΥΛΑ που μου χάρισε το εκπληκτικό εξώφυλλο.


 είκοσι τέσσερα γράμματα εκδόσεις

 
Ένα κείμενο; Ιστορία; Προσωπική κατάθεση;
...Που σε αιχμαλωτίζει και το πας "non stop" έως το τέλος.
Που οι κόφτές προτάσεις και περιγραφές του, ξυπνούν, «σκαλίζουν» την ψυχή σου.
Ξεθωριασμένες αναμνήσεις αποκτούν ευωδιά και χρώμα.
Μία ιστορία, που αισθάνεσαι κομμάτι της, με ενεργή συμμετοχή.
Διερωτάσαι, πού μπορεί να φτάσει το παιγνίδι του μυαλού στον πόνο. Που μπορείς εσύ να φτάσεις…
Ένα κείμενο που σε αγγίζει, άκρως περιγραφικό και έντονα λυρικό.
Κρίστι Βαρβερη (Κινηματογραφίστρια)
 
 Σας παρουσιάζω την πρώτη σελίδα του βιβλίου μου: "Η ΕΞΟΜΟΛΟΓΗΣΗ ΜΙΑΣ ΣΦΑΙΡΑΣ"
 
 Η ΕΞΟΜΟΛΟΓΗΣΗ ΜΙΑΣ ΣΦΑΙΡΑΣ
 
     Έλαμπα! Η ατσαλένια μου καρδιά κτυπούσε. Στο φόνο, στον εξαγνισμό. Στιγμιαία κραυγή, κρότος. Να λιώσω. Γόπα σε ξεχασμένο τασάκι. Άναρθρη λέξη, μεστωμένη στο στόμα παιδιού με ειδικές ανάγκες. Καμπάνα πυροβολισμού. Φλόγωνα, έψαχνα. Να φυτρώσω. Τις ρίζες μου να θρέψω με αίμα. Αίμα δικό σου αγάπη μου. Γιατί την αγάπη επουλώνω από τις πληγές της. Μεθάω με το κόκκινο υγρό, τινάζομαι, πάλλομαι, χορεύω. Χορό τρελό. Ο χορός μετατρέπεται σε πανικό, κι ο πανικός σε φυγή. Μα η φυγή δε γνέφει το αληθινό πρόσωπο ενός φονιά. Η φυγή δεν είναι παρά μία κίνηση τρόμου από την αφετηρία της μεταμόρφωσης. Της πρώτης αναπνοής. Της απελευθέρωσης. Της λύτρωσης. Του πυρο βολισμού. Του γνώριμου κοφτού ήχου. Του ύστατου δειλινού. Της εκδίκησης. Της εξάρτησης. Του λεω φορείου με τα σκασμένα λάστιχα. Κι οι επιβάτες του γυμνοί, τουρτουρίζουν μέσα στην έρημο της ζωής. Μοναδικοί επιζώντες της αγάπης, γιατί μονάχα η αγάπη μετράει… Έστω, κι αν θα πεθάνουν όλοι. 
     Όπως κι εσύ αγαπημένε μου. Όπως κι εσύ! Εσύ, αυτόχειρας, βυθισμένος σε μια λίμνη αίματος. Γλυκοπόρφυρος ο θάνατός σου. Το κορμί σου τεντωμένο. Κάθε μέρα πέθαινες βιώνοντας θανάτους, εκτρωμένες σκέψεις, έμβρυα αποβολής, ματωμένους μαρκαδόρους και χειρόγραφες τεκμηριωμένες αναμνήσεις. Εσύ εραστής μου. Σ’ αγαπούσα κι έπλαθα εικόνες όταν με άγγιζες. Κάθε χάδι σου αντίφα ση, κάθε ασπασμός σου γλυκιά ζήλια, ρίγος, ενθουσιασμός και τρέλα. Ναι! Τρέλα. Τρέλα επώδυνη. Να σκοτώσω. Αυτός είναι ο προορισμός μου. Δαχτυλίδι η σκανδάλη, στο δάχτυλό σου θα φορεθεί. Γίνομαι εσύ κι ακολουθώ την ιστορία σου.
 
 − Γλυκιά μου αγάπη, ασημένια μου σφαίρα, που πορεύεσαι; Ξέρεις, εγώ περιμένω. Τι; Ποιους; Πότε; Το «πως» δεν μ’ ενδιαφέρει. Μπορεί να είναι μαύροι σαν το σκοτάδι, με μάτια κόκκινα σαν το αίμα, μπορεί να είναι λευκοί και φωτεινοί σαν τις πυγολαμπίδες των οραμάτων που σιχαθήκαμε. Κάποιος από τους δύο θα με πάρει μαζί του. Ποιος απ’ τους δύο;

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και σε όλα τα μεγάλα βιβλιοπωλεία

 

Όποιοι το διαβάσουν ας μου γράψουν κάτι στο Blog.

                          

 

Kostas Papapostolopoulos, Blogger of URBAN ADSPIRINES, presents his book: " RED PRISMS", a story about Love, Life and Death.
Genre: Literature
Editor: 24grammata
First Edition May 2025
Front cover: Vaso kafkoula

Tuesday, May 20, 2025

Flux Of Pink Indians: Strive To Survive Causing Least Suffering Possible 1983 (3 CD Reissue 2013)


A fiercely political leftist punk band formed in Hertfordshire, England in 1980 from the remaining


members of The Epileptics (who during the first half of 1979 changed their name to Epi-X, owing to letters of complaint from The British Epilepsy Association) by Colsk Latter (vocals) and Derek Birkett (bass guitar) with guitarists Andy Smith, Neil Puncher, and drummer Sid Ation (who was also a member of Rubella Ballet).
                

in 1981 the group signed on with the Crass label, adopting the organization's dedication to anarchist

politics and punk abrasion;
soon they issued their debut EP New Smell, scoring an indie hit with "Johnny Kidd." Upon forming their own label, Spiderleg, Flux of Pink Indians resurfaced in 1982 with the full-length Strive to Survive Causing Least Suffering Possible.
                      

Not surprisingly their 1983 follow-up, The Fucking Cunts Treat Us Like Pricks, was banned by many

British retailers; one Manchester indie record shop which did carry the record was subsequently charged for displaying "obscene articles for publication for gain." A long layoff followed before the group -- by-then-known as simply Flux -- returned in 1986 with the largely instrumental Uncarved Block. They disbanded in 1987; Derek Birkett later founded the influential One Little Indian label.
                       

FLUX OF PINK INDIANS - STRIVE TO SURVIVE CAUSING LEAST SUFFERING POSSIBLE 1983

                       


Definitely one of the more aggressive anarcho punk albums you've heard. It's raging bass lines, powerful tribal-like drums at times, chaotic but sharp guitar riffs, and ranting angry vocals. It's exactly an album every punk should hear. Originally released on the band's own Spider leg label, One Little

Indian will re-issue the digitally remastered and expanded edition of Flux of Pink Indians' classic 1983 debut album Strive to Survive Causing Least Suffering Possible. The Strive' line-up comprised Colin Latter (vocals), Derek Birkett (bass guitar), Kevin Hunter (guitars), and Martin Wilson (drums). Formed in 1981, Flux - as they later became known - were contemporaries of Crass and synonymous with the strict vegan, anti-fascist, anti-capitalism, anti-Thatcher anarcho-punk scene of the time.
                          

Great lyrics/vocals,savage guitar,squealing feedback,prominant bass & drums and above all,memorable tunes! Now this excellent expanded reissue,3 cd's-the original 'strive' album and the

'neu smell' ep from 1981,inc.their best known song 'tube disaster'(also recorded under their previous name 'the epileptics',but thats another story..)..A disc of demo's for the strive album (very different,many changed lyrics..definately 'works in progress'..),And a 3rd disc that feature's flux's live,short-lived 're-union' set at the 'feeding of the 5000'gig at the sheperds bush empire,supporting steve ignorant of Crass in nov.2007. The live disc captures that raw energy & excitement...
                         

Flux Of Pink Indians – Strive To Survive Causing Least Suffering Possible
Label: One Little Indian – TPLP1172CD
Format: 3 x CD, Album, Limited Edition, Reissue 2013
Country: UK
Released: 1983
Genre: Rock
Style: Punk, Anarcho-Punk
                                


CD 1. STRIVE TO SURVIVE CAUSING LEAST SUFFERING POSSIBLE

                  

  
01. Song For Them
02. Charity Hilarity
03. Some Of Us Scream Some Of Us Shout
04. Take Heed
05. T.V. Dinners
06. Tapioca Sunrise
07. Progress
08. They Lie We Die
09. Blinded By Science
10. Myxomatosis
11. Is There Anybody There?
12. The Fun Is Over

NEU SMELL 7" / TUBE DISASTERS / POEM        

                   

  
13a.Neu Smell    
13b.Tube Disasters    
13c.Poem    
14. Sick Butchers
15. Background Of Malfunction

CD 2. STRIVE DEMOS        

                     

  
01. Tapioca Sunrise (Wargasm LP Version)
02. Is There Anybody There?
03. Myxomatosis
04. Progress
05. Some Of Us Scream Some Of Us Shout
06. Song For Them (Poem)
07. Take Heed
08. Tapioca Sunrise
09. The Fun Is Over
10. Blinded By Science

CD 3. LIVE AT THE SHEPHERDS BUSH EMPIRE        

                  

  
01. Progress
02. Some Of Us Scream, Some Of Us Shout
03. Charity Hilarity
04. Blinded By Science
05. Take Heed
06. They Lie We Die
07. Sick Butchers
08. Background Of Malfunction
09. T.V. Dinners
10. Tapioca Sunrise
11. 1970s Have Been Made In Hong Kong
12. Myxomatosis
13.
Tube Disaster
14. The Fun Is Over

Flac Size: 711 MB


LINE - UP

                  


Colin Latter - vocals
Derek Birkett - bass guitar
Kevin Hunter - guitars
Martin Wilson - drums


T.V. DINNERS LYRICS
                      



Violence on t.v., violence on the news
Reality and fiction both served up neatly to keep us all amused
Reality and fiction have both become the same
Instead of facing the facts we search for new scapegoats to blame

The time has come to stop sitting back
To say "no, we've taken enough of this crap
Violence isn't acceptable in any form
So let's work together to make peace the norm"

The blame lies not within the system
The blame lies not with the state
The blame lies not within religion
We've all learned to love to hate
It lies within each and every one of us

The time has come to stop sitting back
To say "no, we've taken enough of this crap
Violence isn't acceptable in any form
So let's work together to make peace the norm"
                             


A society fed on violent shit
Will go out on the streets
And start to re-enact
Fighting, muggings, sexual assaults
Become part of the everyday scene
People acting out what they have seen on the t.v. screen

The time has come to stop sitting back
To say "no, we've taken enough of this crap
Violence isn't acceptable in any form
So let's work together to make peace the norm"

The time has come to change
Before it's too late
Because when we drop the bombs
There will be no one left to love or hate

The time has come to stop sitting back
To say "no, we've taken enough of this crap
Violence isn't acceptable in any form
So let's work together to make peace the norm"

                    


THEY LIE WE DIE LYRICS
                          


      
Atomic electricity is just a filthy mess and waste
It makes you wonder why they bother with such risks entailed
Is it just a coincidence this atomic power makes
An energy source of uranium from which atom bombs are being made
Behind our backs they scheme and dig mine and your graves
Behind our backs they laugh as their shelters are being made
Out of sight, on the quiet, the plans are being neatly laid
While we sit wasting time in the safe ignored shade

What if soon we were all out in the sun
Dodging the fallout, trying to hide or run
We need to stop it now before they've begun
Don't wait to be asked, no questionnaire will come

They lie we die
                                   
We've left it in their bloody hands for far too long
Atomic energy is gonna finance their bomb
They think they fight wars on mine and your behalf
So let's bloody tell 'em, you've got it fucking wrong
                     

What about the people in far off remote places
They never even knew bombs exist

They'll never have the chance to say or protest
That they didn't want their lives blown to bits

When they crawl from their shelters they'll start it all again
It makes you wonder who are these powermad women and men?

So that in a hundred years they'll be as strong as before
But as usual, at no expense to them

It's no use saying "oh it's too late"
It's no use saying "that it will never happen"
It's no use saying "that's the way it goes"
Is it really the way you wanna go ?
                        

They lie we die

They sigh we cry
We burn they learn
They lie we fry
They dream we scream

They lie we die

Is it really the way you wanna go?

Sunday, May 18, 2025

Portishead: Discography

 

Portishead (/ˌpɔːrtɪsˈhɛd/ PORT-iss-HED) are an English band formed in 1991 in Bristol. They


are often considered one of the pioneers of trip hop music.
The band are named after the nearby town of the same name, eight miles west of Bristol, along the coast. The band comprises Beth Gibbons (vocals), Geoff Barrow (multiple instruments, production), and Adrian Utley (guitar). Dave McDonald, an audio engineer who helped produce their first two albums, is sometimes regarded as the fourth member.
                    

Portishead may not have invented trip-hop, but they were among the first to popularize it, particularly in America. Taking their cue from the slow, elastic beats that dominated Massive Attack's Blue Lines and adding elements of cool jazz, acid house, and soundtrack music, Portishead created an atmospheric,

alluringly dark sound. Portishead's debut album, Dummy (1994), fused hip-hop production with an atmospheric style reminiscent of spy film soundtracks and yearning vocals from Gibbons. It was met with critical acclaim and commercial success, becoming a landmark album in the emerging trip-hop genre. However, the band disliked being associated with the term. Their two other studio albums, Portishead (1997) and Third (2008), received similar acclaim. Portishead have also released the live album Roseland NYC Live (1998).
                                    

Geoff Barrow and Beth Gibbons formed the band after meeting during a coffee break at an Enterprise Allowance course in Bristol in February 1991. Taking their name from the nearby town of Portishead,

they soon recorded "It Could Be Sweet", their first song for their debut album. They then met Adrian Utley while they were recording at the Coach House Studios in Bristol, and Utley heard the first song Barrow and Gibbons had recorded, and began to exchange ideas on music. The resulting first album by Portishead, Dummy, was released in 1994. The cover features a still from the band's own short film To Kill a Dead Man.
                  

Both Barrow and Gibbons were media-shy -- the vocalist refused to participate in any interviews --

which meant that the album received little attention outside of the weekly U.K. music press, which praised the album and its two singles, "Numb" and "Sour Times," heavily. Soon, Go! and Portishead had developed a clever marketing strategy based on the group's atmospheric videos that began to attract attention.
                

After their initial success, Portishead took a break from the spotlight and touring until their second album, Portishead, was released in 1997. The album's sound differed from Dummy, characterised

as "grainy and harsher", with increased use of live instrumentation and less reliance on sampling.
Three singles, "All Mine", "Over" and "Only You" were released, the first one achieving a Top 10 placing in the UK. The live PNYC followed late the next year. Portishead went on hiatus starting in 1999, and Barrow, Utley and Gibbons worked on their own projects. In 2001, Barrow formed Invada Records, an experimental label that included Koolism on its roster.
                     

On 2 October 2007, Portishead stated that the new album Third had been mixed and was nearly

complete, and was due for release in early April 2008.
The release was later pushed to 28 April. On 8 and 9 December 2007, the band curated the All Tomorrow's Parties festival in Minehead, England. The festival featured their first full live sets in nearly 10 years. They premiered five tracks from the new album: "Silence", "Hunter", "The Rip", "We Carry On", and "Machine Gun". On 21 January 2008, a European tour to support the album was announced.
             

On 2 May 2022, Portishead performed for the first time in seven years at O2 Academy Bristol.

Organized by War Child UK, the concert benefited refugees and children affected by the Russian invasion of Ukraine. Lead singer Beth Gibbons would also appear on rapper Kendrick Lamar's song "Mother I Sober" from the album Mr. Morale & the Big Steppers, released on 13 May. In 2023, Portishead reissued Roseland NYC Live. The new tracklist includes previously omitted songs and restores other tracks which had been replaced with alternate versions on the 1998 album. Gibbons released her debut solo album, Lives Outgrown, in 2024.
                  

PORTISHEAD - DUMMY 1994

                              

 

  
Portishead's album debut is a brilliant, surprisingly natural synthesis of claustrophobic spy


soundtracks, dark breakbeats inspired by frontman Geoff Barrow's love of hip-hop, and a vocalist (Beth Gibbons) in the classic confessional singer/songwriter mold. Better than any album before it, Dummy merged the pinpoint-precise productions of the dance world with pop hallmarks like great songwriting and excellent vocal performances.        

Portishead – Dummy
Label: Go! Beat – 828 553-2
Format: CD, Album, Digipak
Country: Europe
Released: 1994
Genre: Electronic
Style: Trip Hop, Downtempo

TRACKS

                          


01. Mysterons    5:06
02. Sour Times   4:13

Electric Piano [Rhodes], Organ [Hammond] – Neil Solman
Featuring [Sample] – Lalo Schifrin, Smokey Brookes
03. Strangers   3:58
Featuring [Sample] – Weather Report
04. It Could Be Sweet   4:19
Drum Programming – Richard Newell
05. Wandering Star   4:56
Featuring [Sample] – Eric Burdon & War
06. It's A Fire   3:48
Organ [Hammond] – Gary Baldwin
07. Numb   3:57
Organ [Hammond] – Gary Baldwin
08. Roads   5:09
Arranged By [String Arrangement] – Adrian Utley, Geoff Barrow
Electric Piano [Rhodes] – Neil Solman
Nose Flute – Dave McDonald (2)
Strings – Strings Unlimited
09. Pedestal   3:41
Trumpet – Andy Hague
10. Biscuit   5:04
Featuring [Sample] – Johnnie Ray
11. Glory Box   5:06
Featuring [Sample] – Isaac Hayes
Organ [Hammond] – Adrian Utley

LINE - UP


Bass – Adrian Utley (tracks: 6 to 9)
Drums – Clive Deamer (tracks: 1, 3, 5, 7 to 9), Geoff Barrow (tracks: 6, 7)
Electric Piano [Rhodes] – Geoff Barrow (tracks: 1, 3, 4, 10)
Engineer – Dave McDonald
Guitar – Adrian Utley (tracks: 1 to 3, 5, 8, 11)
Vocals – Beth Gibbons
Written-By – Adrian Utley (tracks: 1 to 3, 7 to 9, 11), Beth Gibbons (tracks: 1 to 3, 6, 7 to 9, 11), Geoff Barrow (tracks: 1 to 11)

Flac Size: 250 MB

PORTISHEAD - PORTISHEAD 1997

                             


Geoff Barrow and Adrian Utley recorded original music that they later sampled for the backing tracks on the album, giving the record a hazy, dreamlike quality that shares many of the same signatures of Dummy, but is darker and more adventurous. Beth Gibbons has taken the opportunity to play up her

tortured diva role to the hilt, emoting wildly over the tracks. Her voice is electronically phased on most of the tracks, adding layers to the claustrophobic menace of the music. The sonics on Portishead would make it an impressive follow-up, but what seals its success is the remarkable songwriting. Throughout the album, the group crafts impeccable modern-day torch songs, from the frightening, repetitive "Cowboys" to the horn-punctuated "All Mine," which justify the detailed, engrossing production. The end result is an album that reveals more with each listen and becomes more captivating and haunting each time it's played.
 
                     

Portishead - Portishead – Portishead
Label: Go! Beat – 539 189-2
Format: CD, Album, PMDC Germany
Country: Europe
Released: Oct 1997
Genre: Electronic
Style: Trip Hop, Downtempo

TRACKS

             


01. Cowboys   4:38
Vocals [Additional] – S.Atkins
02. All Mine   3:59
Horns – A.Hague, B.Waghorn, J.Cornick
03. Undenied   4:24
Drums [Additional] – C.Deamer
04. Half Day Closing   3:49
Synthesizer [Moog] – A.Utley
Violin – S.Cooper
05. Over    4:00
06. Humming   6:02

Synthesizer [Moog] – A.Utley
07. Mourning Air   4:11
Trombone – J.Cornick
08. Seven Months    4:15
09. Only You   4:59

Electric Piano [Rhodes] – A.Utley
Organ – J.Baggot
Written-By – Stewart, Thorne, Hardson
10. Elysium   5:54
Piano – J.Baggot
11. Western Eyes   3:57
Piano – A.Utley
Vocals [Additional] – S.Atkins

LINE - UP


Bass – A.Utley (tracks: 2, 4, 5, 7, 9)
Drums – C.Deamer (tracks: 1, 6, 8, 11), G.Barrow (tracks: 4, 5, 9)
Engineer – Dave McDonald
Guitar – A.Utley (tracks: 1, 2, 4, 5, 7 to 10)
Vocals – Beth Gibbons
Written-By – Adrian Utley (tracks: 2, 4 to 11), Beth Gibbons, Geoff Barrow

Flac Size: 295 MB

PORTISHEAD - ROSELAND NYC LIVE 1998

                     


Performing with a 35-piece orchestra, Portishead runs through selections from its two albums, favoring its second slightly. On the surface, it doesn't seem like the orchestra would add much to the

performances, especially since the arrangements remain similar, but its presence makes the music tense, dramatic, and breathtaking. This is especially true of the material from Portishead. On album, several of these songs sounded a little flat, but here they soar right alongside such staples as "Mysterons," "Sour Times," and "Glory Box." That alone doesn't necessarily make PNYC revelatory -- instead, it deepens a listener's understanding of the artist, much like the Tindersticks' The Bloomsbury Theatre. Which means, of course, that PNYC is much more compelling and essential than the average live album.album.

                    


Portishead – Roseland NYC Live
Label: Go! Beat – 559 424-2
Format: CD, Album, PMDC Germany
Country: Europe
Released: 1998
Genre: Electronic
Style: Downtempo, Acid Jazz, Trip Hop

TRACKS

              


01. Humming    6:37
02. Cowboys    5:02
03. All Mine    4:02
04. Mysterons    5:44
05. Only You    5:20
06. Half Day Closing    4:12
07. Over    4:13
08. Glory Box    5:37
09. Sour Times    5:21
10. Roads    5:50
11. Strangers    5:20


LINE - UP


Alto Flute – Ben Waghorn (tracks: 1, 5, 11)
Alto Saxophone – Ben Waghorn (tracks: 3, 5, 11)
Baritone Saxophone – Will Gregory (tracks: 3, 5, 11)
Bass – David Finck (tracks: 1 to 8, 11), Jeffry Carney (tracks: 1 to 8, 11), Jim Barr (tracks: 1 to 11), John Miller (tracks: 1 to 8, 11)
Cello – Carol Paisner (tracks: 1 to 8, 11), Jesse Levy (tracks: 1 to 8, 11), Stephanie Cummins (tracks: 1 to 8, 11), Susie Katayama (tracks: 1 to 8, 11)
Drums – Clive Deamer (tracks: 2 to 5, 7 to 11), Geoff Barrow (tracks: 6)
Guitar – Adrian Utley (tracks: 2 to 11)
Keyboards – John Baggott (tracks: 1 to 11)
Leader [Orchestra Manager] – Jesse Levy
Oboe – Will Gregory (tracks: 1)
Orchestrated By – Adrian Utley, Nick Ingham
Percussion – Clive Deamer (tracks: 6)
Synthesizer [Moog] – Adrian Utley (tracks: 1)
Trombone – John Cornick (tracks: 1, 3, 5, 11)
Trumpet – Andy Hague (tracks: 1, 2, 6, 11), Dave Ford  (tracks: 1, 3, 11)
Violin – Andrew Stein (tracks: 1 to 8, 11), Ashley Horne (tracks: 1 to 8, 11), Belinda Whitney-Barratt (tracks: 1 to 8, 11), Byung Kwak (tracks: 1 to 8, 11), Carmel Malin (tracks: 1 to 8, 11), Carol Pool (tracks: 1 to 8, 11), Natalie Cummins (tracks: 1 to 8, 11), Israel Chorberg (tracks: 1 to 8, 11), Joanna Jenner (tracks: 1 to 8, 11), Joel Pitchon (tracks: 1 to 8, 11), Joyce Hammann (tracks: 1 to 8, 11), Katsuko Esaki (tracks: 1 to 8, 11), Lenard Rivlin (tracks: 1 to 8, 11), Pamela Porta (tracks: 1 to 8, 11), Regis Iandiaro (tracks: 1 to 8, 11), Richard Clark (tracks: 1 to 8, 11), Anthony Posk (tracks: 1 to 8, 11)
Vocals – Beth Gibbons (tracks: 1 to 11)
Written-By – Utley (tracks: 1, 3 to 11), Gibbons (tracks: 1 to 11), Stewart (tracks: 5), Barrow (tracks: 1 to 11), Hayes (tracks: 8), Byrd (tracks: 6), Thorne (tracks: 5), Schifrin (tracks: 9), Hardson (tracks: 5), Shorter (tracks: 11)

Flac Size: 350 MB   

PORTISHEAD - THIRD 2008

                           


Third is resolutely not an album to be sampled in 30-second bites or to be heard on shuffle; a quick scan

through the tracks will not give a sense of what it's all about. It demands attention, requiring effort on the part of the listener, as this defies any conventions on what constitutes art pop apart from one key tenet, one that is often attempted yet rarely achieved: it offers music that is genuinely, startlingly original.
          

Portishead – Third
Label: Island Records – 1766401
Format: CD, Album, Super Jewel Box
Country: Europe
Released: Apr 25, 2008
Genre: Electronic, Rock
Style: Downtempo, Trip Hop

TRACKS

               


01. Silence   5:00
Cello – Charlotte Nicholls
Voice [Spoken Intro] – Claudio Campos
02. Hunter    3:58
03. Nylon Smile    3:19
04. The Rip   4:30

Bassoon – Wendy Bertram
05. Plastic   3:30
Clarinet – Team Brick
06. We Carry On    6:27
07. Deep Water   1:33

Vocals [Additional] – Ben Salisbury, David Poore, Team Brick, (The Somerfield Workers Choir)
08. Machine Gun    4:46
09. Small    6:47
10. Magic Doors   3:31

Electric Piano [Rhodes Piano] – John Baggott
Hurdy Gurdy – Stu Barker
Saxophone – Will Gregory
11. Threads   5:47
Bass – Jim Barr
Cello – Charlotte Nicholls
Drums – Clive Deamer
Guitar – Beth Gibbons
Saxophone – Will Gregory

LINE - UP


Beth Gibbons – vocals, keyboards, electric guitar on "Threads"
Geoff Barrow – drums, keyboards, synthesiser, bass guitar, percussion, programming
Adrian Utley – electric guitar, acoustic guitar, bass guitar, ukulele, keyboards, synthesizer, programming
Charlotte Nicholls – cello on "Silence" and "Threads"
Claudio Campos – spoken intro on "Silence"
Wendy Bertram – bassoon on "The Rip"
Team Brick – clarinet on "Plastic," vocals on "Deep Water"
David Poore & Ben Salisbury (the Somerfield Workers Choir) – vocals on "Deep Water"
Will Gregory – saxophone on "Magic Doors" and "Threads"
John Baggott – Rhodes piano on "Magic Doors"
Stu Barker – hurdy-gurdy on "Magic Doors"
Clive Deamer – drums on "Threads"
Jim Barr – bass guitar on "Threads"

Flac Size: 290 MB   

Beth Gibbons and Rustin Man: Out of Season 2002 on Urban Aspirines HERE